Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael La belle jardiniere oil painting


La belle jardiniere
1507 Type Oil on panel Dimensions 122 cm x 80 cm (48 in x 31½ in) cyf
Painting ID::  94701
Raphael
La belle jardiniere
1507 Type Oil on panel Dimensions 122 cm x 80 cm (48 in x 31½ in) cyf
   
   
     

Raphael The Deposition oil painting


The Deposition
1507 Type Oil on wood Dimensions 184 cm x 176 cm (72 in x 69 in) cyf
Painting ID::  94702
Raphael
The Deposition
1507 Type Oil on wood Dimensions 184 cm x 176 cm (72 in x 69 in) cyf
   
   
     

Raphael Esterhazy Madonna oil painting


Esterhazy Madonna
1508 Type oil on canvas Dimensions 29 cm x 21.5 cm (11 in x 8.5 in) cyf
Painting ID::  94703
Raphael
Esterhazy Madonna
1508 Type oil on canvas Dimensions 29 cm x 21.5 cm (11 in x 8.5 in) cyf
   
   
     

Raphael Niccolini oil painting


Niccolini
1508 Type Oil on panel Dimensions 80.7 cm x 57.5 cm (31.8 in x 22.6 in) cyf
Painting ID::  94705
Raphael
Niccolini
1508 Type Oil on panel Dimensions 80.7 cm x 57.5 cm (31.8 in x 22.6 in) cyf
   
   
     

Raphael Cardinal and Theological Virtues oil painting


Cardinal and Theological Virtues
1511 Type fresco Dimensions ? cm x 660 cm (x x 260 in) cyf
Painting ID::  94713
Raphael
Cardinal and Theological Virtues
1511 Type fresco Dimensions ? cm x 660 cm (x x 260 in) cyf
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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